Bad Infinity
for solo pianist with TouchKeys, MIDI keyboards and Ableton (2022)
“The 21st century is perhaps best captured in the ‘bad’ infinity of the animated GIF, with its stuttering, frustrated temporality, its eerie sense of being caught in a time-trap.”
This quote from late writer Mark Fisher was on my mind as I wrote this piece. I like the idea of taking something cold and mechanical and imbuing it with human qualities, making it more broken and empathetic. I imagined the performer here not as some slick, high-tech thing, but as a little animated GIF, stuttering, stalling, glitching out, prone to self-doubt and distraction. Like an AI that's too self-conscious to carry out the task of generating its own music, the piece starts and stops, goes off on tangents, arrives at dead ends and never really gets going.
Bad Infinity was commissioned by Zubin Kanga as part of Cyborg Soloists, a UKRI-funded Future Leaders Fellowship project hosted at Royal Holloway, University of London. The piece was premiered at Rich Mix, London on 21 April and released on ‘Machine Dreams’ with Nonclassical.
The piece uses TouchKeys, a touch-sensitive keyboard technology. Capacitive sensors track the position of the player's fingers on the surface of the keys, allowing them control over musical parameters such as pitch, glissando, and vibrato. The microtones in the keyboard part are designed to mirror the natural inflections of the performer’s voice as they speak and sing throughout the piece, evoking something half-human and half-digital.